Archive Tag:fantasy

Drabble 170 – Hemeralopia

A cropped photo of a woman smiling with ice cream in one hand and a bouquet in the other.

I was never all that afraid of monsters, until I read an interview where someone (I believe it was Sarah Michelle Gellar, but I can’t be sure) was asked, “Do you believe in vampires?” Her response was something like, “I can’t answer, because either way would make them angry.”

That didn’t make me believe in vampires, suddenly, but it did mean that every time I wandered outside at night, I imagined that they could be lurking behind every tree, or underneath a car, ready to grab me and spirit me away. The thought was exciting, not just because I (like many mid-2000s kids and teenagers—this is the time when I was reading Amelia Atwater-Rhodes, and later Charlaine Harris) was enamored with the concept of vampires, but also because if they did exist, that left room for all kinds of other creepy things to be out there, too.

I didn’t love the idea that the myths were true, but nor did I hate it. There’s something appealing in the idea that we don’t really know what’s there in the darkness.

Anyway, here’s a drabble.

Drabble 168 – Chimeric

A mosaic depicting Bellerophon righting a chimera.

I have always wanted very badly to be good at science. Unfortunately, my brain is always off doing something else when it should be studying chemistry or physics. I was passable at biology, geology, and astronomy, but once you start throwing in equations the part of me that enjoys learning turns off and starts thinking about, I don’t know, that time I asked someone if they wanted to be “bridge buddies” because we were in a group for having to explain the land bridge theory, and how that ninth-grade memory will probably never, ever leave me, and how I am still embarrassed about it 16 years later, or whatever.

I enjoy science as if I am a fan of it. I think it’s deeply cool, but unfortunately, I have crammed my head so full of song lyrics and obscure vocabulary that I can only sit on the sidelines with a giant foam finger, cheering it on. You go, science. I don’t understand what’s going on most of the time (unless it’s about rocks, which I inexplicably understand rather well), but I’m rooting for you.

Anyway, here’s drabble.

Drabble 162 – Ame Damnée

A photo of fire.

I was fired from my very first job. Not fired in a dramatic sense—fired in a “quietly taken off the schedule” way. Fired in a “we’re never going to tell you you’re fired” way. Fired in a “you can keep calling and asking when your shifts are but the truth is that you don’t have any and never will again, and no, we’re not going to tell you that, either,” kind of way.

It was a shame, because I actually really liked the job. Despite customer service being soul-sucking and dehumanizing, I like talking with people. Unfortunately, that first job had a lot of expectations for what I should be doing (everything) that were at odds with what I was legally allowed to do (cleaning tables). As a minor with no cash register training and no food handler’s permit, you are, it turns out, not a valuable employee at a fish ‘n chips place, especially when the rest of the staff goes out on a smoke break and leaves you, a wide-eyed 17-year-old, alone to handle the rush.

I still feel kind of bad about it, like I should have tried harder. But I was seventeen, and was far better at that than working in a fish ‘n chips place.

Anyway, here’s a drabble.

Drabble 161 – Lucent

A photo of glowing shapes against a black background.

When I was but a wee babe online, I stumbled upon the infamous Ted’s Caving Page (which I would not recommend visiting without an ad blocker). It was one of the first pieces of web-based horror fiction I’d ever encountered, and at the time I wasn’t entirely sure that it was fiction. I didn’t know how to verify things, what terms to search to ease the part of me that was turning this single experience into a deep-seated fear.

I’ve never been in a cave. I probably won’t ever go into a cave, because the moment I step through its mouth (and that we call it a mouth is telling—like we’re stepping into the jaws of some creature to be willingly swallowed) is the moment I start panicking and have to leave immediately. But I find them fascinating anyway; maybe more so, because I really don’t know what’s hiding inside.

Anyway, here’s a drabble.

Drabble 159 – Nephelai

A photo of mist against a forest background.

I’ve had Greek mythology on my mind lately after devouring Madeleine Miller’s The Song of Achilles and Circe. These stories were part of my childhood, but returning to them as an adult, I find so much more than I could have imagined. As a kid, I swallowed them up. As an adult, I find myself wanting to shove my fingers through the cracks and look deeper. I want to look behind the curtain, under the table, out into the dark depths of the forest.

Both of these books take stories that have existed for centuries and broaden them, exploring the edges and pushing at the boundaries. It’s part understanding cultural context, but it’s also universality—Achilles and Patroclus’ relationship in context, yes, but also the timeless concept of desires that don’t quite align. The role of women in Ancient Greece, of course, but also the weight of expectations.

I think that’s why I’ve always been such a sucker for a good myth, well-told. I’m not Persephone, I’m not Artemis, but these stories ignite my curiosity and encourage my imagination because they are still so easy to identify with, even centuries later. The themes are there, even if the context is different.

Anyway, here’s a drabble.

Drabble 158 – Enoptromancy

A photo of a mirror against a pink wall. Palm leaves can be seen in the lower right hand corner of the mirror.

I’ve had a fear of mirrors since I was a kid and a girl on my bus told me you could summon Bloody Mary by repeating her name three times. She said the ghost would appear and scratch you, and showed me her arms to prove it. She was a purveyor of eerie urban legends—she said the worry dolls my family had given me to help me cope with some difficult life stuff would come to life and make my worries come true, that the houses on our bus ride home were haunted, and so on—and I bought into every one of them. Of course, I’d never say Bloody Mary aloud, but would it count if I thought it? Did they have to be said altogether, or would three times spread out over a lifetime still summon her?

Aside from one brief dabble into Light as a Feather, Stiff as a Board, I was always too scared to try any of the creepy sleepover rituals we whispered about. In high school, my friends went walking through a graveyard on Halloween—I crossed the street, saying I’d rather walk home in the dark by myself than through a graveyard.

I’ve eased up a bit since then, but even while writing this, I wondered if Bloody Mary would know that I’d written her name three times in one blog post, that I’m seated in front of a window and that it’s so dark outside I can see my reflection in it. The scratches on that girl’s arms left such an impression on me that I can’t shake the fear decades later.

Anyway, here’s a drabble.

Drabble 157 – Oceanid

A close-up view of an ocean wave.

While writing The Compendium of Magical Beasts, I thought a lot about monsters and myths and women. In part because my narrator, like me, is the kind of person who would think about those things, and in part because I feel that to leave out discussions of marginalization, even in a book about creatures that probably don’t exist, was to do folklore and history and science a disservice. The chapter on nymphs is one of my favorites for that reason. I could have written a straightforward explanation of what a nymph is and how they live, but there’s more to it than that—call somebody a ‘nymph’ today, and you’re not saying they’re a forest-dwelling spirit. Same with ‘harpy’ or ‘siren,’ both words that meant female monsters, and now mean female monsters in a different way.

According to myth, there are some three thousand oceanids, with only a handful of them being worthy of names and stories. Of those stories, most involve them giving birth, or nursing, or caretaking; there was only one story to be told, and it was told again and again and again.

Anyway, here’s a drabble.

Drabble 155 – Kairosclerosis

Kairosclerosis

This year, I have been trying to be good to myself. A month has gone by and I’ve written just one drabble, which is a sign that it’s working.

But having one this month, is also a sign that it’s working. People talk a lot about filling their creative wells, about taking time away from work to recharge. I’ve been trying to do more of that, spending more time with books I love and less with work. Sometimes anxiety gets the best of me and I don’t succeed, and other times work becomes the fun thing, as it did when I covered Global Game Jam a couple weeks ago.

I’m trying to find balance. Some weeks are better than others—this one, so far, is going well. Last week went poorly. I’m sure I’ll fluctuate through the rest of the year as I experiment with things that work and many of them blow up in my face, but for now I feel good. Peaceful. Cared for.

Anyway, here’s a drabble.

Drabble 152 – Haliography

A photo of the ocean.

I still have dreams about the island where I grew up. There’s some half-true version of it in my mind, where everything is both bigger and smaller, where everything is the same and entirely different. There are large fields of grass where there should be a highway, and the ocean extends forever instead of butting up against the other landmasses nearby. But the ocean is shallow, and you can walk out and out and out and the water will never go above your waist.

I return there again and again when I sleep, running over these imaginary fields, stepping into a shallow ocean that never ends. Even when the dreams are nightmares—they often are—there’s something comforting about returning to this place that I know so well despite it being entirely unfamiliar.

Anyway, here’s a drabble.

Drabble 150 – Widdershins

A photo of many mushrooms growing together.

It’s been a while since I last found time to write a drabble. Or rather, it’s been a while since I found time to post—I think I wrote this one two weeks ago, but failed to actually read through and schedule it.

I’m not particularly sorry, either. It used to be that missing a week would have made me impossibly stressed, despite these drabbles not getting a lot of views and the likelihood of somebody coming to yell at me about it being slim. Still, I think a lot about what I owe to others, about what I promise, about what I’m allowed.

Writing these short stories every week started as an exercise. A writer should have a blog, according to my English professors, but what could I blog about? I should get used to having my fiction read by others, but how? Can I dedicate the time every week to train myself to post with regularity?

I could, it turns out. And I still can, when it’s a priority. But writing these was once my primary way to put my writing in front of people and isn’t anymore. Now, these 100-word stories are a respite from whatever I’m working on, a place to flex my creative muscles and challenge myself. This blog so far might have sounded like I’m leading up to saying that drabbles are going away forever while I focus on, I don’t know, more “important” work, but they’re not. I like them, and I like what they force me to do, so I’ll keep doing them—though perhaps with more lapses, because as it turns out, a writer should have a blog, but that blog is practice for other things that may have to take precedence.

Anyway, here’s a drabble.